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I work between motion and identity — the part where a logo learns to move, a campaign finds its rhythm, and a feed starts to look like it belongs to someone. Five years across agency and in‑house teams, from first storyboard to final export.
My favourite briefs are the ones with a real constraint in them. The rest is craft: pacing, type, restraint, and finishing everything properly.
Swipe or drag this row sideways, or use the arrows. Full case studies on request.
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Freelance, contract, or a coffee about an idea — all welcome.